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Techno Futures: Detroit’s Afrofuturist Groove

WHERE:
Communication Arts and Sciences Building 404 Wilson Rd, East Lansing, MI, 48824

WHEN:
February 18, 2025

WHAT:
Talks, Panels, and Presentations

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ABOUT

Join visionary artists Carl Craig and Mike Banks for an exploration of Detroit’s pivotal role in shaping the Afrofuturist movement through techno music. This dynamic panel will delve into how the genre’s innovative sound and cultural roots reflect a futuristic vision of African diaspora identity. Facilitated by Dr. Julian Chambliss, this discussion will explore the intersection of music, technology, and Afrofuturism, highlighting the creative legacies of Detroit’s techno pioneers and their influence on global music and culture.

Date: Tuesday, February 18
Time: 6-7:30 PM
Location: WKAR Studio (room 145)

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For those unable to attend in person, join the live stream. Link coming soon!

Carl Craig is a prominent figure in the world of electronic music, particularly known for his work in the techno genre. Hailing from Detroit, Michigan, he is considered one of the key artists in the second wave of Detroit techno during the late 1980s and 1990s. Craig has been influential in the genre, both through his own innovative productions and by fostering the careers of other artists through his record label, Planet E Communications.

Beyond his direct contributions to music production and DJing, Craig has been involved in various collaborations and projects across different genres and mediums. His work often bridges the gap between electronic music and other forms of art, such as performance and installation art. Craig’s influence and contributions to the electronic music scene, particularly Detroit techno, have made him a respected and seminal figure in the industry.

Michael “Mad Mike” Banks is a Detroit based innovator, producer, and advocate for the city and its music and cultural legacy.  As the co-founder of Underground Resistance, he has been at the forefront of the global techno scene, while as co-founder of Submerge Distribution, he has paved the way for independent labels to retain ownership of their music while reaching a global audience.  In addition to this, he has done extensive work in the development of the East Grand Boulevard corridor and served as a mentor to not only Detroit musicians and artists, but up and coming artists from around the world as well.  Experienced in production and distribution, development and execution, he has a documented track record of using that to not just the benefit of self, but many others as well.

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